Kristoffer Ardena
Anonimia, 2005
spray paint on found paper
|
Jack Balas
A Smart Subversive Thesis (Mike H), 2004
Digital photograph |
Benjamin Bellas
“I thought you were the all American girl, you thought you
could do better, so when you said that you’d keep in touch,
and asked me to see things from your perspective I knew
it was hopeless, but I thought I should at least try.”, 2004
Photograph documentation of performance |
Matthew Best*
Paper Roses, 2004-2005
Acrylic on raw canvas
10” x 12” |
Matthew Best*
Paper Roses (detail), 2004-2005
Acrylic on raw canvas
10” x 12” |
Matthew Best*
Paper Roses (detail), 2004-2005
Acrylic on raw canvas
10” x 12” |
Matthew Board*
Vaultair, 2005-2006
illustration of domestic Solution |
Scott G. Brooks
The Resurrection of Miss Rita Fyne, 2005
Oil on Canvas
30” x 40” |
Cecilia Bullo
Untitled, 2005
candoglia marble, human teeth
60cm x 16cm |
shiloh
burton
Gender Passports, 2006
performance |
Bronwen Casson
Flux, 2004-5
Video
3.55 minutes |
Bronwen Casson
Woman - Shibam, Yemen, 2005
Digital Print
11.7” x 16.5” |
sheri crider
Binary Prejudice, 2006
Photographic diptych
45” x 60” |
George Dinhaupt
Diptych
30”x30”
Performance |
Jocelyn Foye
ID Me, 2006
plastic, metal |
Paul LeRoy Gehres
Holla Back Exclaimation Points: Finding Humor in the
Darkness of the Gay 90’s (detail of the dot of the
exclamation point), 2005
mixed media collage
|
Katrina Fullman and “Tony” Denise Conca
Refuse & Refashion, 2004
video |
Erika Gentry
Diableri, 1999
Light jet Print
20” x 20” |
Erika Gentry
Kylariss Sluissi, 1999
Light jet Print
20” x 20” |
Stacey Halper
Untitled (from Drag King Project), 2005
C-Print
16" x 20" |
Stacey Halper
Untitled (from Drag King Project), 2005
C-Print
16" x 20" |
Stacey Halper
Untitled (from Drag King Project), 2005
C-Print
16" x 20" |
Stacey Halper
Untitled (from Drag King Project), 2005
C-Print
16" x 20" |
Danielle McCullough
RocketfishheartthrobGO, 2005
latex enamel, leading paint, acrylic,
fabric paint, paint pen, iridescent
dry pigments on canvas |
Katherine Nolan
I Get It 5 Times A Day, 2005
Video documentation of performance |
Sascha Perfect
Becoming Man (stills), 2004
Video documentation of performance at Petrovardin, Trdjava Saloni, Novi Sad, Serbia |
Susan Porteous
balls, 2004
sandblasted steel balls, binders’ board, paper
2" x 3.6" x 1.75" |
Susan Porteous
one-eyed night crawler in a turtle neck sweater, 2004
newsprint, card, typewritten text, Xerox copies
1.5" x 6.5" x 1"
|
Susan Porteous
do touch, 2005
handmade box, balloons, text
9.5" x 5" x 4"
|
Miriam Preissel
Chris, 2003
giclee print |
Emmett Ramstad
Untitled (Gauzedrain), 2005
Monoprint with cotton stitching
13” x 9” |
Emmett Ramstad
James’ Nipple, 2005
Monoprint with cotton stitching
14” x 17” |
Amy Antonia Russell
Soft Toys, date
Fabric Toys |
Ethan Shoshan and Carlo Quispe, co-conspirators in It/EQ – a community based collaborative, New York
The Emperor’s Premiere, 2005
video: documentation of a fashion show event |
Sayon Syprasoeuth
After Glow, 2005
Glitters, Glue, Hair
60” x 12” |
Toxic Titties
Toxic Titties, VB46-TT (Beecroft Intervention), 2006
Text and Illustrations |
Cyane Rollins Tornatzky and Jessica Walker
Gender Stereoptics
mixed media |
Jessica Wimbley
Lawn Jockey in Middle Class Neighborhood, 2005
Photograph |
Narratives / Blogs 
